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NEW – Wooden Music

CHECK IT OUT – listen / stream it / buy it!


July 2023 Release

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In doing this album Mick wanted to really craft the songs, not just play them. We knew from the beginning that this would be another totally acoustic album, by choosing to restrict ourselves to just acoustic instruments it drove a cool creativity. We wanted to really show that an acoustic album can sound as big and full as one using the typical electric instruments – being acoustic doesn’t mean that it has to be sparse (not that there’s anything wrong with that).

Mick is blessed with amazing musical friends, and many joined him on this album. Of course, Jeff Jensen came onboard, both as producer and as principal guitarist. Tom Lonardo and Carl Casperson, who added their magic to “They Call Me Uncle Mick” provided a rock-solid rhythm section that held it all together. Doug MacLeod also brought his special magic to the two songs that open the album and, of course, Eric Hughes was a critical par of the team. Eric is the only musician (other than Mick) who has played on every one of Mick’s albums – it wouldn’t be a Mick album without Eric!

This album also highlights the skills of two other harp players, and they really delivered! Bob Corritore and Mick had often talked about working together and this album provided the opportunity. You’ll see that Bob really delivered. The other harp player is Vince Johnson, who isn’t widely known outside of Beale Street but sure needs to be – and you’ll agree when you hear what he did.

Tas Cru and Mick have worked together often, and Tas provides a beautiful guitar part to the song Memphis Wood. Tas has the ability to put himself inside the song and work to make it better, and he di just that! Another longtime friend, Libby Rae Watson, was the ONLY person Mick wanted to join him on the vocals for the song “Baby Took A Limo to Memphis” – not just because of her vocal talent (which is wonderful) but her attitude, which fit the song perfectly, as you will see.

The remaining guests have worked with Mick on several projects, and have always made things better. Reba Russell and Susan Marshall are well known and respected in the music world, and if you don’t know who they are you really need to check them out! What they brought to the song “Hurt People Hurt People” is simply stunning

 

 

 

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Slow Blues Essentials

Although Mick Kolassa writes and plays almost every style and subgenre of blues, his slow blues songs get the most attention from listeners. Some reviewers have called them his “trademark slow blues”. This digital album is a collection of Mick’s most requested slow blues songs, from his catalog of 13 albums Mick offers his fans’ favorites.



SONG / ALBUM

  1. Baby’s Got Another Lover (7:26) Michissippi Mick
  2. Nothing Left to Lose (5:25) Ghosts of the Riverside Hotel
  3. A Good Day for the Blues (4:43) If You Can’t Be Good, Be Good At It
  4. Slow and Easy Love (5:24) If You Can’t Be Good, Be Good At It
  5. It Hurts to Let You Go (5:58) Wasted Youth
  6. Trying Not To Let the Darkness In (4:14) I’m Just Getting Started
  7. Easy Doesn’t Live Here (3:22) Wasted Youth
  8. Take Me Away (4:54) I’m Just Getting Started
  9. Love Ain’t Supposed to Make You Cry ( 4:49) For The Feral Heart
  10. Pieces of My Past (6:17) Wasted Youth
  11. American Intervention (3:37) 149 Delta Avenue
  12. Pullin’ Me Down (4:57) 149 Delta Avenue
  13. Left too soon (5:39) Taylor Made Blues

In creating these songs Mick was fortunate to work with a number of amazing musical friends:

  • Jeff Jensen, Guitar: 1 8, 10,12,13
  • Mario Monterosso, Guitar: 9
  • David Dunavent, Guitar: 3
  • David Julia, Guitar: 7
  • Bill Ruffino, Bass: 1 5,7,9 13
  • Dexter Allen, Bass: 6
  • Carl Casperson, Bass: 9
  • Leo Goff, Bass: 11,1 2
  • Chris Stephenson, Keys: 1,2,11 13
  • Rick Steff, Keys: 3,8,10
  • TJ Bonta, Keys: 9
  • Doug McMinn, Drums: 1,5,7
  • James Cunningham, Drums: 9, 10,13
  • Tom Leonardo, Drums: 9
  • Robinson Bridgeforth, Drums: 2
  • John Blackmon, Drums: 3,4,6,8
  • Lee Williams, Drums, 11,12
  • Kirk Smothers, Sax: 2
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Troutunes & Other Fishing Madness

This is an album Mick originally recorded/released back in the ’80s–all original tunes, all about fishing or the environment. It has just been reborn in digital only fashion. Check it out!

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CD Reviews – For the Feral Heart

Living Blues Review by Matt R. Lohr

The liner notes of For the Feral Heart, Mick Kolassa’s 13th solo album, promise the listener “NOTHING BUT LOVE SONGS.” But given the Memphis-based vocalist/guitarist’s status as a relatively recent widower, it is no surprise that this music packs its deepest impact when exploring passions deferred and romance in defeat.

Kolassa’s vocals, confiding and cautionary, coast along TJ Bonta’s throbbing organ and Carl Casperson’s brooding bass on Elegant Angel, and the ’70s-flavored Love Ain’t Supposed to Make You Cry features a spiky Mario Monterosso guitar solo that seems to mock Kolassa’s pain and punishment. Andrew McNeill’s snappy snare drum and Bill Ruffino’s insistent walking bass give Easy to Love a tone interestingly muted, braced for attack. This sardonic sensibility extends into Kolassa’s take on Dave Mason’s Feeling Alright, his brawling guitar and Tullie Brae’s gently threatening backing vocals injecting serious grit into a tune most familiar from its far sprightlier Joe Cocker rendition.

Sweet begins to overtake the bitter as the album eases into its more stylistically diverse back half. A breeze of New Orleans suffuses I Keep Looking, with a spring in the step of Rick Steff’s piano and a jaunty Dr. John looseness to Kolassa’s phrasing. A clever, well-handled romance-tailored-to-fit metaphor and plush acoustic guitar tones make Love in My Size a
genuine heart warmer. There’s even a surprising splash of Caribbean atmosphere, with Hold On threading McNeill’s steel drums through Kolassa’s gentle Jamaican inflections, and Steff’s organ conjuring reggae rhythms on the sun-kissed Forever Sometimes.

The nostalgic violin of Alice Hasen brings a country-folk feel to I Left My Heart in Birmingham; here, and throughout the recording, guitarist and longtime Kolassa collaborator Jeff Jensen’s pristine production enhances Kolassa’s every lovely vocal crack and crinkle. Hasen also lends her skills to the straightforward balladry of Run Away with Me, adding to the wistful comfort imparted by Kolassa’s effortlessly sincere lyrics and delivery.

For the Feral Heart is nicely bookended by a pair of radically contrasting cuts. The bustling wickedness of pure-blues curtainraiser Running to You leads listeners down a twisting, colorful musical road to a closing cover of legendary chestnut As Time Goes By, given a solid, fresh-feeling pace by drummer Tom Leonardo. At the end of the day, Kolassa’s album feels a lot like love itself: seldom predictable, alternately inviting affection and threatening tears . . . but when it’s at its best, ultimately well worth the time. ~ Living Blues, Matt R. Lohr, March 2023

Keys & Chords Review by Philip Verhaege

TRANSLATION: Mick Kolassa is a busy bee. The long player ‘For The Feral Heart’ is already the successor to ‘They Call Me Uncle Mick!, which was released in the summer of 2022. It is his third album that will be released this year and every album has been given a theme. Now these are apparent love songs, but fortunately there is more than just love songs musically. Mick opens with the blues rocker ‘Running To You’, to continue his way with the jazzy ‘Elegant Angel’. The track ‘Feeling Alright’ with Dave Mason’s credits is a wonderful guitar duel between Mick and Jeff Jensen. Guitarist Mario Monterosso comes into the spotlight in ‘Love Ain’t Supposed To Make You Cry’, it’s almost a trademark song for Kolassa. The jazzy and blues song ‘Easy To Love’ is alternated by the acoustic ‘I Keep Looking’. The ballad ‘I Left My Heart In Birmingham’ is about a ‘long-distance’ affair ‘Love In My Size’ and that contrasts with the reggae tinged ‘Forever Sometimes’ and ‘Hold On’, with its distinctive syncopated calypso groove. Alice Hasen’s violin arrangements magically color the roots related ‘Run Away With Me’. Herman Hupfeld’s old standard ‘As Time Goes By’ is the ideal bouncer.

Michigan native Mick Kolassa has lived in Clarksdale, Mississippi for over twenty-five years. He is therefore no stranger to the local blues scene in and around Memphis and was a former member of the Board of Directors of The Blues Foundation. After years of songwriting, Mick Kolassa decided to record his debut album and embraced his friend Jeff Jensen as producer. In 2014 this resulted in the success story ‘Michissippi Mick’. All net proceeds were donated to The Blues Foundation. So Kolassa has its heart in the right place. ~ Keys and Chords


Blues Bytes

Mick Kolassa is a most prolific musician and manages to make all of his albums compelling listening, venturing into different genres at times, but remaining firmly rooted in the blues. His latest release, For The Feral Heart (Endless Blues Records), is his third album from 2022 and consists of nothing but love songs, ten originals from Kolassa and two interesting covers.

Kolassa is backed by the usual cast of characters, including guitarist/producer Jeff Jensen, keyboardist Rick Steff, bassist Bill Ruffino, drummer Tom Leonardo, among others.

The opener, “Running To You,” is a lively blues rocker, followed by “Elegant Angel,” a jazzy blues and one of two tracks featuring Memphis guitarist Mario Monterosso. The album’s first cover is Dave Mason’s “Feeling Alright,” and Kolassa gives this track a somewhat slower pace than usual, bringing out the often-overlooked lyrics (addressing divorce).

“Love Ain’t Supposed To Make You Cry” is a slow burning blues featuring Monterosso on guitar once again, and “Easy To Love” is a smoky urban blues. “I Keep Looking” is a gentle, mostly acoustic tune.

“I Left My Heart In Birmingham” is a rootsy ballad about the complications involved with a long-distance love affair, featuring Alice Hasen on violin, “Love In My Size,” a song about an unlikely love affair, continuing in the same musical vein.

“Forever Sometimes” and “Hold On” touch on reggae and calypso respectively, and “Run Away With Me” is a bittersweet song about our wishes that sometimes go unfulfilled. Hasen’s violin is a wonderful complement to the poignant lyrics.

Kolassa wraps up the album with his take on one of the greatest love songs ever, “As Time Goes By,” from Casablanca.

As with all of Mick Kolassa’s albums, all net proceeds from For The Feral Heart will go the Blues Foundation, split between the HART Fund and Generation Blues. This is a fine album of warmth and compassion that goes down smoothly.The latest in a set of great albums from Mr. Kolassa. ~ Graham Clarke, Blues Bytes


Michael Doherty’s Music Log

Mick Kolassa’s pace is certainly not slowing. In August, he released an excellent album titled They Call Me Uncle Mick! and followed that just a few months later with For The Feral Heart. And this latest release contains mostly original material. As the title and the album’s cover suggest, the tracks on this album deal with love. And is there anything more important? I think the pandemic has made most people take a new look at their priorities, and, big surprise, Love has once again come out on top. Mick Kolassa, in addition to the vocals, plays acoustic guitar and electric guitar on this album. Joining him on this release are Jeff Jensen on guitar, Bill Ruffino on bass, Rick Steff on keyboards, Tom Leonardo on drums, and Andrew McNeil on drums, along with some guests on certain tracks. By the way, all net proceeds from sales of this album go to The Blues Foundation, and specifically to the HART (Handy Artists Relief Trust) Fund and Generation Blues. MORE->

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NEW – For the Feral Heart

CHECK IT OUT – listen / stream it / buy it!


December 2022 Release

ORDER HERE ->


Over the course of 12 previous albums Mick Kolassa has written and recorded many love songs – this album is NOTHING BUT LOVE SONGS! For the Feral Heart starts with blues but ventures into several other styles, taking the listener on a musical journey. For the Feral Heart includes blues, jazz, calypso, reggae, singer/songwriter and even America standards. With ten originals and two “covers”, the album traverses a lot of musical ground!

Kicking off with the blues-rocker “Running to You,” the album hits the ground running! “Elegant Angel,” a song celebrating a strong woman, is a blues/jazz number that features Memphis guitarist Mario Monterosso. Mick has re-arranged Dave Mason’s “Feeling Alright,” which is actually a song about a divorce, to take it back to the message of the lyrics – something it seems few fans have ever truly listened to– and Mick and Jeff Jensen enjoyed trading guitar licks on this song. “Love Ain’t Supposed to Make You Cry” is one of Mick’s trademark slow minor key blues songs, with Mario Monterosso adding his splendid guitar work. “Easy to Love,” a jazzy blues number about how difficult love can be to maintain, is followed by “I Keep Looking,” a more acoustic number that tells the uncomplicated story of a deep love that has no reason to end – ever.

The ballad “I Left My Heart in Birmingham” tells of the problems of a long-distance love affair with a slightly country feel, and “Love in My Size” is a singer-songwriter tune about an unexpected love. “Forever Sometimes” is a reggae song that celebrates an occasional love affair while the calypso tune “Hold On” tells of a deep commitment between two lovers who are going to stay with each other and get through any troubles. “Run Away With Me” is a gentle song about wishes that may not come true. Wrapping up the album is the wonderful old standard, “As Time Goes By” – and you are urged to play it again!

 

 

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